Friday, April 29, 2011

Daybreak in Alabama


Photo by Robert Ray/Associated Press
Francine Rollins and Rondroka Long sat amid the rubble of their neighborhood in Tuscaloosa, Alabama

Daybreak in Alabama
by Langston Hughes

When I get to be a composer
I’m gonna write me some music about
Daybreak in Alabama
And I’m gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I’m gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I’m gonna put white hands
And black hands and brown and yellow hands
And red clay earth hands in it
Touching everybody with kind fingers
And touching each other natural as dew
In that dawn of music when I
Get to be a composer
And write about daybreak
In Alabama.

Please donate to tornado relief for the South at:
American Red Cross

And please buy the poem here:
Knopf

A Call for China to Free Unjustly Imprisoned Artist Ai Weiwei


Ai Weiwei with musician Zuoxiao Zuzhou in the elevator when taken in custody by the police, Sichuan, China, August 2009
100 cm x 130 cm color photograph
Courtesy Ai Weiwei and Christine König Galerie, Vienna


“We can perhaps bet on art to win over tyrants. It is the world’s artists, particularly those courageous enough to stand up against authoritarianism, for whom we need to be concerned, and for whose safety we must fight.”
- Salman Rushdie

On April 3, 2011, the internationally recognized Chinese artist Ai Weiwei was detained by Chinese officials at the Beijing airport while en route to Hong Kong, and his papers and computers were seized from his studio compound.

The international arts community has rallied around Ai Weiwei's unjust incarceration and an online petition is being sponsored by museum directors and cultural figures across the globe: 'By using Ai Weiwei’s favored medium of “social sculpture,” we hope to hasten the release of our visionary friend."

Please take a moment and sign the petition here:
Call for the Release of Ai WeiWei

Your signature will join the growing list sampled below:

Richard Armstrong, Director, Solomon R. Guggenheim Museum and Foundation
and Alexandra Munroe, Samsung Senior Curator, Asian Art
Juan Ignacio Vidarte, Director General, Guggenheim Museum Bilbao,
and Deputy Director and Chief Officer for Global Strategies, Solomon R. Guggenheim Foundation
Glenn Lowry, Director, The Museum of Modern Art, New York
Sir Nicholas Serota, Director, Tate and Chris Dercon, Director, Tate Modern
Kaywin Feldman, President, Association of Art Museum Directors and Director
and President, Minneapolis Institute of Arts
Yongwoo Lee, President, The Gwangju Biennale Foundation
Michael Govan, Director, Los Angeles County Museum of Art
Vishakha Desai, President and Melissa Chiu, Vice President of Global Arts, Asia Society
Jim Cuno, President and Director, Art Institute of Chicago
Julián Zugazagoitia, Director, Nelson Atkins Museum, Kansas City
Ann Philbin, Director, Hammer Museum, University of California, Los Angeles
Olga Viso, Director, Walker Art Center
Alfred Pacquement, Director, Musée national d'art moderne/Centre de création industrielle, Paris
Arnold Lehman, Director, Brooklyn Museum
Jill Medvedow, Director, Institute of Contemporary Art, Boston
Julia Peyton-Jones, Director and Hans Ulrich Obrist, Co-director of Exhibitions and Programmes
and Director of International Projects, Serpentine Gallery, London
Poul Erik Tøjner, Director, Louisiana Museum of Modern Art, Denmark
Nathalie Bondil, Director and Chief Curator, Montreal Museum of Fine Arts
Neal Benezra, Director, San Francisco Museum of Modern Art
Tony Ellwood, Director, and Suhanya Raffel, Deputy Director, Queensland Art Gallery, Australia
Thomas W. Lentz, Elizabeth and John Moors Cabot Director, Harvard Art Museums
Ann Goldstein, Director, Stedelijk Museum, Amsterdam
Apinan Poshynanda, Bangkok Art and Culture Centre Foundation, Bangkok, Thailand
Carolyn Christov-Bakargiev, Artistic Director, dOCUMENTA (13) and Bernd Leifeld, CEO, documenta
Manray Hsu, Founding Director, Taipei Contemporary Art Center
Holly Hotchner, Nanette L. Laitman Director, Museum of Arts and Design, New York
Joel Wachs, President, Andy Warhol Foundation for the Visual Arts, Pittsburgh

More at:

Op/Ed piece Dangerous Arts by Salman Rushdie in the New York Times.

Ai Weiwei's Blog

Free Ai Weiwei

Tuesday, April 26, 2011

A Body of Sound in Arabic and English


Gregg Chadwick
A Body of Sound
30"x22" monotype on paper
Courtesy the Julie Nester Gallery

The writer Farouq Salloum recently sent me a poem inspired by my artwork The Body of Sound. Mr. Salloum's lilting words swirl and fix a passing image.

The poem is posted below in the original arabic version and is followed by the english translation by Farouq Salloum.
Thank you Farouq!

من اسئلة الجسد والوساوس
من زهرة الشهوات على وسادة السرير
من زخارف الكلمات على رنين هواتفك
حيث اتوهم انك تحتويني .. اتوهم انني احتويك
انثى هابطه من جحيم اللذائذ
وآدم حائر في ندم ايامه على الأرض
هو عطرك الذي يملأ المكان
كأنك هنا دائما
نعيد ترف وحدتنا بالفصول ..
بالجسد الحاني .. وبالغناء
*
A body of sound
جسد الصوت
لوحة
Gregg Chadwick
By: Farouq Salloum


A Body of Sound
-by Farouq Salloum

You spring up from the magic space of my forest
from the Questions of body and whispers
from the flower of desires on the pillow
from the ornementation of words on your phones calls
as an Illusion where you comprise me
... a falling female from the hell of pleasures

Thursday, April 21, 2011

New Moby Song and Video: The Day



Moby's new video for The Day features Heather Graham as an angelic being. Enjoy!

Tuesday, April 12, 2011

The Day: Moby and MoveOn Protest Budget Cuts on the Poor

Monday, April 04, 2011

I Stand With My President

American Dreams-Barack Obama-2012
Obama ~ Biden 2012

FAIR USE NOTICE:: This site contains images and excerpts made available for the purpose of analysis and critique, as well as to advance the understanding of artistic, political, media and cultural issues. The 'fair use' of such material is provided for under U.S. Copyright Law. In accordance with U.S. Code Title 17, Section 107, material on this site (along with credit links and attributions to original sources) is viewable for educational and intellectual purposes. If you are interested in using any copyrighted material from this site for any reason that goes beyond 'fair use,' you must first obtain permission from the copyright owner.